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About

Meet SAFE

Here are some of our volunteer members who support SAFE's day-to-day activities:

Leila AmineddolehCynthia Bates
Leah BevingtonBlythe Bowman
Claudia BroseNathan T. Elkins
Senta GermanElizabeth Gilgan
Cindy HoJudith Koron Hoffmann
Cherkea HoweryEric Hübler
Paul KunkelEmily Lanza
Colleen LethKelly McGannon
Rachel MolandSamuel Paley
Sarah PickmanSarah Pickman
Eric PowellLawrence Rothfield
Lawrence RothfieldLucille A. Roussin
Rebecca Anne RushfieldChuck Skorupski
Marina Papa SokalArcher St. Clair Harvey
Peter StoneIrina Tarsis
Ben ThomasMigdalia Tollens

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Leila Amineddoleh is a Manhattan-based litigator. She received her BA in economics from New York University in 2002, and her J.D. from Boston College Law School in 2006. She is interested in using her training and legal experience to protect art and cultural heritage property through advocacy as an art lawyer. To further these interests, she has become involved in organizations such as the Entertainment, Art & Sports Law Section of the New York State Bar Association, the Art & Cultural Heritage Committee of the ABA Section of International Law, and Volunteer Lawyers for the Arts. Leila is honored to be a part of SAFE and is looking forward to lending her legal expertise to the organization.

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Cynthia Bates brings an unusual combination of perspectives to SAFE as both an advertising planning director and a doctoral student in the archaeology of ancient Iraq. She was educated in Near Eastern languages, archaeology and anthropology at Harvard, Cambridge, and the University of Chicago. She earned her MBA later at the Harvard Business School in 1988 and entered advertising. In New York, she worked in strategic planning, establishing her reputation as an expert in consumer trends and behavior. She moved to Chicago in 1997 to become chief planner of the Sears account at Ogilvy, inspiring award-winning creative material. As director of planning at Publicis & Hal Riney in Chicago, she established an impressive new business record. She returned to the University of Chicago in 2001 to complete her doctoral studies in anthropology. As a student at the Oriental Institute, she followed the dedicated efforts of its professors to brief the Pentagon on the need to safeguard the Iraqi cultural heritage from looting. Through SAFE, she hopes to create public awareness of the incalculable value of the endangered heritage of ancient Mesopotamia and the need to protect it.

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Leah Bevington holds a BA in Classics from the University of Calgary and recently completed her MA in Classical Archaeology at the University of Alberta, focusing on cultural policy, antiquities and archaeology. She has worked extensively in the field with projects ranging from excavations in Italy to museum policy and various
research endeavors.

Passionate about educating the public about cultural heritage, looting and archaeology, she is currently working on the publication of her thesis in a more reader-accessible format.

She is thrilled to have become a part of SAFE and is looking forward to contributing to the organization. Visit her web site here.

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Blythe Bowman is a PhD candidate in the School of Criminology & Criminal Justice at the University of Nebraska at Omaha. She holds bachelor’s degrees in Anthropology and Classics (Iowa State University), a master’s degree in Bioanthropology (University of Iowa), a TEFL Certification (Interlingue School of Languages, Rome, Italy) and will receive her doctorate in Criminology Criminal Justice from UNO in May 2008. Her dissertation research takes as its focus transnational organized criminal networks and the role they play in the theft and illicit export of cultural property. Prior to entering the doctoral program at UNO, Blythe was fortunate to spend several years working in several other countries, most notably Italy and Greece. While she may currently teach courses in comparative criminology, international criminal justice, and legal philosophy, her first loves will always be archaeology and the classics. Subsequent to graduation she hopes to secure employment with Interpol, UNESCO, or the FBI and continue the fight to preserve cultural heritage.

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Claudia Brose a German native, holds a Masters Degree in Business Administration with emphasis in Marketing from the University of Cologne in Germany. She also studied Japanese Management and Philosophy at Sophia University and worked for the Chamber of Commerce in Tokyo, where she began her career in advertising. Upon her return to Germany, she was an account director for various ad agencies.

Claudia lives in San Francisco where she is now pursuing her second career as a marketing consultant promoting the preservation of cultural heritage. Her particular interests are the Himalayan and South East Asian (Cambodia) cultures. Besides volunteering with SAFE and the Asian Art Museum in San Francisco she is a member of the Society for Asian Art serving in the special events committee.

In her free time she enjoys the outdoors, studying Asian art, martial arts and loves traveling. She keeps fit navigating the hills of San Francisco on her mountain bike for most of her daily comings and goings.

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Nathan T. Elkins is a Ph.D. Candidate in Greek and Roman Art and Archaeology at the University of Missouri, writing a dissertation on “Architectural Coin Types: Reflections of Roman Society.” He holds a B.A., magna cum laude, in Archaeology and Classical Studies from the University of Evansville (Indiana) and a M.A., with distinction, in the City of Rome from the University of Reading (United Kingdom). Some of his research on numismatics and archaeology has been recognized, first by the Parkes-Weber Memorial Prize and Medal of the Royal Numismatic Society in 2004 for an scholarly contribution to numismatics by a scholar younger than 23 and secondly by the AIA Graduate Student Paper Award Honorable Mention in 2006. In 2006 and 2007, he conducted research at the Johann Wolfgang Goethe Universität – Frankfurt, an important center for the treatment of ancient coins in archaeological contexts. In 2008, he returned to Frankfurt as a Mitarbeiter with the Martberg Projekt, for which he is identifying coins for Fundmünzen der Antike. He now works in the department with the cast and photo collection and engages in research and teaching.  In the past year he has given several invited lectures in Germany on the trade in recently looted ancient coins and how easily these enter the mainstream ancient coin market through the existing trade networks.

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Senta German whose fields of specialty are the Greek Bronze and Iron Ages, received her PhD from Columbia University. She has over 10 years of excavation experience in Greece, Israel, the American East Coast and Alaska and presently teaches Classical Archaeology and Ancient Art at Montclair State University. She recently authored Performance, Power and the Art of the Aegean Bronze Age which was published in 2005. In addition to her academic career, she consults extensively for the Department of Communications at the Robert Wood Johnson Foundation.

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Elizabeth Gilgan graduated from Sweet Briar College in anthropology and biology and earned an MA in Archaeological Heritage Management from Boston University. She worked as an archaeologist in Belize and developed a heritage management plan with the Belizean Government for the country. She currently works for the Archaeological Institute of America as the Director of Programs and Services. Liz loves to travel, scuba dive, and live music.

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Cindy Ho Born in Hong Kong, Cindy Ho founded SAFE in 2003 in response to the looting of the National Museum of Iraq. She is a graphic designer and advertising art director in New York City. Although her professional work has won accolades, it is her personal work that best shows her power of persuasion.

Her passion for the preservation of cultural heritage dates back many years. Before starting SAFE she received Asian Cultural Council and Arts International grants for her efforts to bring awareness to the art and artifacts of the Naxi people in China through a traveling exhibition. As a Sponsored Artist of the New York Foundation of the Arts (NYFA) and with a grant from the Puffin Foundation, she produced a series of exhibitions entitled Trailing the Written Word: The Art of Writing Among China’s Ethnic Minorities. Her work has been featured in World Health Organization’s publication of Tobacco & the Rights of the Child. She also completed West of the East—A Journey Through Macau, Asia’s First and Last Colony, a photodocumentary with the support of NYFA and the Fundaçao Oriente (Lisbon). She considers devoting herself to SAFE a privilege.

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Judith Koron Hoffmann has been fascinated by archaeology since childhood. After majoring in linguistics at the State University of New York at Binghamton, she worked in scientific publishing at Rockefeller University and then in advertising and promotion, creating award-winning advertisements mostly for pharmaceutical products. She has also written pro bono advertising and volunteered for the Mood Disorders Support Group of New York.

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Cherkea Howery is a new member and intern with SAFE. She received an M.A. in Mediterranean Archaeology at the University of Bristol and has worked on projects all around the world. Cherkea is interested in publicly exposing inconsistencies in the display of antiquities in museums as well as questioning acquisition policies. She is currently pursuing research for her M.A. thesis in the Program of Museum Studies at New York University. For questions, comments, or lively discussion you can reach her at Cherkea_Howery@yahoo.com.

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Eric Hübler joined SAFE/Saving Antiquities for Everyone in June 2009 as a volunteer communications consultant. Eric graduated from Brown University in 1987, spent nearly 20 years in journalism including stints with the Japan Economic Journal, Associated Press and Denver Post, and obtained a Master of Nonprofit Management degree from Regis University in 2008 while working as the in-house copywriter with the National MS Society. Learn more about Eric at www.erichubler.com.

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Paul Kunkel holds a Bachelors Degree from the University of New Mexico. A published author of six books and more than 60 magazine and newspaper articles (for The New York Times, Business Week, Wired, Architectural Digest, Connoisseur, Elle, Harper's Bazaar and other publications), Paul currently works as a Business Development specialist and is principal author and developer of the web-based In-Theater Cultural Heritage Training Resource for Iraq and Afghanistan, funded by the Undersecretary of Defense Legacy Resource Management Program. 

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Emily Lanza has enjoyed archaeology and its connection to the past and present since elementary school. She holds a Bachelors degree in Anthropology, with a concentration in Historical Archaeology, from the University of Pennsylvania and a Master of Philosophy degree in Archaeological Heritage and Museums from the University of Cambridge. After working in museums and other cultural institutions in various capacities, she currently works in a research library in the curatorial and exhibition departments. She’s planning on applying her interest in archaeological heritage to the field of law in the near future. In her free time, Emily loves reading Agatha Christie mysteries, playing violin and piano, and horseback riding.

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Colleen Leth holds a BA in Art History from Barnard College. She currently lives and works in Cairo, Egypt where she conducts research on and manages campaigns for cultural property preservation. In her free time, Colleen manages the blog, antiquitieswatch.wordpress.com. Her academic interests include Egyptology, Museum and Collecting Studies, Cultural Resource Management, and Law as well as the history of looting and reuse of antiquities in the Near East. Having grown up in the travel industry, she is also committed to sustainable tourism. She believes responsible tourism can help fund conservation projects and educate a wide audience about threats to cultural property. Colleen plans to attend graduate school in 2009 and later earn a law degree to prepare her for international work as a cultural property lawyer. She strongly believes in SAFE's mission and is delighted to be an active member.

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Kelly McGannon is an independent researcher of issues of cultural heritage and war, focusing her study on how these issues are created and resolved in the conflicted Middle East.

Previously, she had worked as a Visiting Lecturer in the Department of Liberal Studies and Women's Studies at the University of Montana (Missoula, MT), as well as in the Department of English at Hiram College (Hiram, OH) and the Department of Humanistic Studies at Saint Mary's College (South Bend, IN). In all of these, Kelly encouraged her students to become proactive about the world, especially the protection of its collective cultural heritage.

This desire developed primarily out of her former studies at Saint Mary's College (B.A.), Yale University (M.A.R.), and Princeton University (M.A. on route to a Ph.D.) and through extensive overseas travel. Additionally, her time spent living and studying in Jerusalem, months before the Second Intifada erupted, solidified these passions. Further exploring the Middle East more acutely heightened her awareness as to the loss of national heritage and its effects on a people.

Passionate about education, Kelly hopes that her work with SAFE will help illuminate others about the correlation between poverty and
looting. Currently, she is writing an article which examines how the U.S. government and military are ameliorating the loss of cultural heritage in Iraq.

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Rachel Moland is a Seattle native. She graduated with a BA in Anthropology and Classical Civilization from New York University in 2007 and has been a SAFE volunteer since 2005, when she attended an NYU colloquium on the illicit antiquities trade. Her interest in antiquity grew during an intensive semester at the Intercollegiate Center for Classical Studies in Rome. In 2006, she participated in the Villa delle Vignacce excavation in Rome and traveled to Cyprus on an undergraduate research grant. She hopes to continue studying Classics, archaeology, and cultural property (as well as help with SAFE projects) in the years to come.

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Samuel Paley is Professor of Classics, at the State University of New York at Buffalo. His specialty is Ancient Near Eastern studies and this is his responsibility in his dept. He received his degrees from Columbia University in Art History and Archaeology and in Semitic Languages, graduating with distinction in 1974. Since 1975 he has been in Buffalo. Dr. Paley has excavated in Cyprus and Israel, where he directed a 13-year long project for the State University of New York, at a site which documented international trade among the Egyptians, Canaanites and Phoenicians. The final publications of that excavation are expected beginning in 2008. He began working in Turkey in 1993, first at Alishar and then at Cadir.

Dr. Paley's specialty is the relationships between Assyria and the regions surrounding the ancient Assyrian capitals of Ashur, Nineveh and Nimrud. He has authored and co-authored books for The Brooklyn Museum and the German Archaeological Institute, on the site of Nimrud, today in northern Iraq. His work in virtual reality reconstructions of Nimrud have been used in Metropolitan Museum of Art and Williams College Museum of Art and his VR web page hosted at Learning Sites, Inc. has over 5000 hits a month.

Dr. Paley joined the Cadir Hoyuk excavation because of his interest in the Assyrian presence in Turkey in the early Middle Bronze period, from the 20 th to 18 th centuries BC, and Cadir may sometime reward his persistence.

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Sarah Pickman is currently an undergraduate student at the University of Chicago, working towards a B.A. in anthropology with a minor in art history. A native of the New York area, she first became involved with SAFE as an intern during the summer of 2005, working on the Italian MOU renewal campaign. After college, she hopes to attain a Master’s degree in cultural resource management or public history, and pursue a career in museum work. Sarah is thrilled to be associated with SAFE as it continues to grow.

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Sarah Pickman is currently an undergraduate student at the University of Chicago, working towards a B.A. in anthropology with a minor in art history. A native of the New York area, she first became involved with SAFE as an intern during the summer of 2005, working on the Italian MOU renewal campaign. After college, she hopes to attain a Master’s degree in cultural resource management or public history, and pursue a career in museum work. Sarah is thrilled to be associated with SAFE as it continues to grow.

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Eric Powell is a senior editor at Archaeology, a popular magazine published by the Archaeological Institute of America. He has excavated at sites in the American southwest and in the former Soviet Union, and as an undergraduate studied archaeology in Irkutsk, Russia, and Almaty, Kazakhstan. His first direct experience with looting came at a Neanderthal site in Crimea, which was ransacked by "black archaeologists" hoping to find treasure. A native Texan, he now lives in Long Island City, Queens, where he pines for Hill Country BBQ and spends an inordinate amount of time reading classic detective stories and walking his dog

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Lawrence Rothfield is faculty director and co-founder of the Cultural Policy Center at the University of Chicago. In addition to Antiquities Under Siege, Prof. Rothfield has written a booklength history, The Rape of Mesopotamia: Behind the Looting of the Iraq Museum, forthcoming in 2009 from the University of Chicago Press.

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Lawrence Rothfield is Associate Professor of English and Comparative Literature at the University of Chicago, where he co-founded the Cultural Policy Center. Trained as a cultural theorist, Rothfield moved into the still-emerging field of cultural policy studies in the late 1990s, partly in response to the demand from defenders of the arts, heritage, and humanities for better academic research to counter right-wing attacks in the culture wars. Rothfield's previous publications in cultural policy include an important edited volume of essays, "Unsettling 'Sensation': Arts-Policy Lessons from the Brooklyn Museum Art Controversy".  His new book, “The Rape of Mesopotamia” (University of Chicago Press, 2009) offers a behind-the-scenes look at the causes for the failure of US forces to secure the Iraq National Museum and the country's archaeological sites from looters in the wake of the 2003 invasion. Rothfield also edited a volume of essays on this topic, "Antiquities Under Siege: Cultural Heritage Protection after the Iraq War" (Altamira Press, 2008), focusing on the policy changes that need to be made by various stakeholders -- ranging from war-planners and State Department bureaucrats to cultural heritage NGOs -- to ensure that the disaster suffered by Iraq is not repeated ever again. The theft of antiquities in time of war is a special case of the problem of market-driven looting, and Rothfield's new project seeks better policy options for bringing looting under control, based on a clearer understanding of the complicated economic incentives involved.

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Lucille A. Roussin is the founder and director of the Holocaust Restitution Claims Practicum at the Benjamin N. Cardozo School of Law in New York City, where she teaches a seminar, Remedies for Wartime Confiscation. She also teaches a course on "Art, the Law and Professional Ethics" at the School of Graduate Studies at the Fashion Institute of Technology. She is an associate with the firm of McCallion & Associates and earned her law degree in 1996 from the Benjamin N. Cardozo School of Law, where she was a Belkin Scholar. She was Deputy Research Director of the Art and Cultural Property Team of the Presidential Commission on Holocaust Assets and was an associate in the Art and International Law Practice Group at Herrick, Feinstein LLP in New York City. In 2001, she negotiated the first restitution of a rare Jewish ritual object to a private family in the United States.

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Rebecca Anne Rushfield received an MA in art history and a diploma in art conservation from the Institute of Fine Arts, New York University. Currently a consultant specializing in research, writing, and editing in the field of art conservation, she has worked on projects for the Getty Conservation Institute, the Sherman Fairchild Center for Object Conservation of the Metropolitan Museum of Art, and the Intermuseum Conservation Association. She is on several committees of the American Institute for Conservation, the chair of the Textile Conservation Group, and active in the College Art Association.

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Chuck Skorupski has been in advertising business development for 8 years, beginning at Euro RSCG Worldwide. He began his career arranging emergency medical repatriations for American Express, where he developed a love of international communications. A graduate of the American University in Washington, DC, he earned his B.A. in International Relations. He has worked for the Hospitality Committee for United Nations Delegations, organizing goodwill events for UN Delegates and their families. He recently passed the written portion of the Foreign Service Exam and aspires to work in the international nonprofit arena. His interests include history, obscure languages, and medieval Japanese literature. One of the original members of SAFE, he coined the name SAFE for the group.

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Marina Papa Sokal teaches archaeology and ancient art history at the City University of New York and is a Research Associate in archaeology at the Accordia Research Institute, University of London. She studied classical archaeology at the University of Florence, Italy, with a doctoral thesis on Roman villas in Britain. She participated in fieldwork in both Italy and England and worked as a curator at the British Museum. She has also taught classics and archaeology at the University of London and at New York University.

Marina has recently completed a study of the legislative history of the 1970 UNESCO Convention and the U.S. Convention on Cultural Property Implementation Act.

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Archer St. Clair Harvey holds a PhD from Princeton University. She is a Professor in the Department of Art History at Rutgers University, where she has served as chair since 2005. Her field of specialization is Late Antiquity. In addition, she teaches the core course on Global Heritage Preservation, as well as a course on Ethics for the university's Certificate Program in Cultural Heritage and Preservation. In 1998, she chaired the international conference, "Art, Antiquity, and the Law: Preserving our Global Cultural Heritage" at Rutgers. She also has served as Associate Director of the American Academy in Rome/Soprintendenza Archeologica di Roma Palatine East Excavation, and is currently involved in publication of the three volume final report. Her book, "Carving as Craft" examines the ivory and bone remains from this site. She is a member of the Cultural Heritage Policy Committee and the Program Committee of the Archaeological Institute of America. Her current projects include a study of overpainting of late antique frescoes in Ostia and Rome, and the establishment at Rutgers of a Masters Program in Cultural Heritage and Preservation Studies. She views SAFE as an invaluable educational and inspirational resource for such programs, as well as for the general public.

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Peter Stone is Professor of Heritage Studies in the International Center for Cultural and Heritage Studies at Newcastle University, UK. He has published widely on heritage management, interpretation and education. Peter has worked extensively outside the UK and advised UNESCO’s World Heritage Center in the development of the World Heritage Education Program and the drafting of the World Heritage Education Kit. Peter is Honorary Chief Executive Officer of the World Archaeological Congress, a member of the Culture Committee of the UK National Commission for UNESCO, Chair of the Hadrian’s Wall World Heritage Site Management Plan Committee, and was the Council for British Archaeology’s special adviser on the implications for road changes at Stonehenge. In 2003 he was the adviser to the Ministry of Defense with regard to the identification and protection of the archaeological cultural heritage in Iraq.

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Irina Tarsis holds a Bachelors Degree in International Business and is finishing her Masters Degree in History of Art and Architecture, with a focus on the history of book trade. Her research interests include collection provenance and biographies of book collectors and dealers.

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Ben Thomas was born in India and spent a good portion of his childhood shuttling between India and various countries in the Middle East. He currently lives and works in Boston, Massachusetts. Ben is an archaeologist with a Ph.D. in Mesoamerican Archaeology from Boston University—a degree he received after several years of fieldwork in the jungles and swamps of Belize and Guatemala. His main archaeological interests are in ancient settlement planning, domestic architecture, and human-landscape interactions.

Ben is committed to public education and is the Education and Outreach Coordinator for the Archaeological Institute of America. In this capacity, Ben has organized and presented programs ranging from archaeology fairs to teachers' workshops for people of all ages and interest levels. He is passionate about preserving the past and believes that SAFE is an important resource in raising awareness of heritage issues among members of the public.

In addition to working at the AIA, Ben is an Assistant Professor at the Berklee College of Music where he teaches art and archaeology in the Art History Department.

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Migdalia Tollens graduated from Rutgers University with a bachelor’s degree in both Art History and Psychology, and received a Certificate in Historic Preservation. While attending Rutgers, she had the opportunity to work and volunteer for organizations such as the Jane Voorhees Zimmerli Art Museum and the West New York Recreation Center, wherein she cultivated educational interests in inner city youths. She received the opportunity to intern for SAFE after graduating, and has continued to volunteer her time since then. She credits SAFE with giving her an in-depth look at non-profit administration and allowing her to find a place to learn about the illicit antiquities trade crisis in a hands-on environment. Migdalia enjoys working with people who show a passion for their work and beliefs. Her interests include researching the history of her hometown, learning about art and culture through novels, and tasting different types of chocolate. She plans to attend graduate school in 2010.

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We are SAFE

Ricardo A. St. Hilaire

Ricardo A. St. Hilaire

“Culture theft erases information about people's history and way of life. It's identity theft on a global scale, committed by antiquities looters and traffickers who generate billions of dollars in illegal profits each year.

SAFE serves a pivotal role by informing the public and policymakers about this widespread, transnational crime so that we can safeguard our heritage for future generations."

 

Senta German

Senta German

“Most people are totally unaware of the illicit antiquities trade. I volunteer for SAFE because it's the only group that's trying to raise awareness about this problem."

 

 

 

 

 

 

 

 

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